21/10 0 comments
I’ll admit I instantly panicked on hearing the opening of this track…It is very too similar to Manic Street Preachers’ Australia (I shit you not, click here to compare). I’m not the biggest fan of MSP, MUCH TO MOST PEOPLE’S DISAPPOINTMENT (it IS an informed opinion, but you can write me off now if you must).
So…”WHY THE HELL ARE YOU TALKING ABOUT KID WAVE” I hear you cry (in your heads, otherwise you just look like a mental shouting at your screen). I’ll bloody tell you why! It has an EXCELLENT instrumental interlude, which is noisy yet heartwarming. PLUS the vocalist has a great sexy deep voice that I find very attractive in female leads (it’s well worth smoking just to achieve those husky tones. Just try to ignore the health risks). It’s not reinventing the wheel, BUT it’s good, shoegazery entertainment.
14/05 0 comments
Cloud Boat are not an uplifting band. The duo make plaintive, sometimes agonised, often-beautiful post-rock tunes; feats in minimalism, exercises in moroseness and studies of morbidity. From second album Model Of You, lead single Carmine is reasonably on-brand and typically pretty, albeit with slightly more pulse than previous numbers.
But check out also Manchester producer (and fellow Apollo Records act) Synkro‘s remix of Carmine. This is no exercise in jollity either, but the new edit does introduce a chill vibe, and a glassy, faintly euphoric, 4am feel that works well versus the original’s solemnity.
13/03 0 comments
Music serves many roles for me – it can be restorative, sympathetic or soothing. But the purpose I value most of all is when it’s escapist; when all I want is to run away, and a song magics a door out of thin air. ”Step through here,” it says, “leave all that behind for a while,” it says, “stay as long as you want,” it says, “slow down,” it says, and I do, I so gladly do. This scuzzy, droney, groggy, shoegazey single by emerging London psychs Whistlejacket boasts that blessed quality. (thanks to Sexbeat)
7/02 0 comments
4/02 0 comments
This is glum as fuck. No two ways about it. But, heck, it’s beautiful: beautiful in its solemn, burly vocals, beautiful in its regal woodwind, beautiful in its unexpectedly up-tempo (despite said glumness) beat. Plaintive has never been so pleasing. I also like how, just when you’re expecting a second chorus or whatever we’re calling the instrumental refrain, Halls‘ new song just ends, without fanfare or flourish, just simply ends.
Posts tagged as "shoegaze"